J Reilly Lewis - definition. What is J Reilly Lewis
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%ما هو (من)٪ 1 - تعريف

ENGLISH ORIENTALIST PAINTER
J F Lewis; J. F. Lewis
  • ''An Armenian lady, Cairo – The love missive'', 46 × 35 cm, oil on panel, 1855. The young woman in the background was reworked as a standalone subject in ''The Coffee Bearer'', two years later.
  • ''A Frank Encampment in the Desert of Mount Sinai – 1842 – The Convent of St. Catherine in the Distance'', showing English aristocrats on a tour, watercolour, 1856
  • ''The Reception'', 1873, version in oils, using drawings of Lewis' house in Cairo, which he had left over 20 years before<ref>Weeks; Tromans, 25&ndash;27</ref>
  • ''The Coffee Bearer'', oil (1857)
  • A photo from the late 1860s
  • The Harem - Introduction of an Abyssinian slave, 1860s version

J. Reilly Lewis         
AMERICAN CONDUCTOR
John Reilly Lewis (September 15, 1944 – June 9, 2016) was an American choral conductor who founded the Washington Bach Consort and was the music director of the Cathedral Choral Society. As a keyboard artist he specialised in baroque music, particularly the music of J.
Patrick Reilly         
BRITISH DIPLOMAT
Reilly, Patrick
Sir Patrick Reilly, GCMG (17 March 1909 – 6 October 1999) was a British diplomat who served as ambassador to the USSR and France. He held several senior posts and was called "the perfect mandarin.
Pat Reilly         
SCOTTISH FOOTBALL MANAGER (1873-1937)
Pat Reilly (footballer); Pat Reilly (football manager)
Patrick Reilly (11 February 1873 – 6 April 1937) was a Scottish football manager, who was the first ever manager of Dundee Hibernian, forerunner of Dundee United.

ويكيبيديا

John Frederick Lewis

John Frederick Lewis (1804–1876) was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.

His very careful and loving representation of Islamic architecture, furnishings, screens, and costumes set new standards of realism, which influenced other artists, including the leading French Orientalist painter Jean-Léon Gérôme in his later works. Unlike many other Orientalist painters who took a salacious interest in the women of the Middle East, he "never painted a nude", and his wife modelled for several of his harem scenes. These, with the rare examples by the classicist painter Lord Leighton, imagine "the harem as a place of almost English domesticity, ... [where] ... women's fully clothed respectability suggests a moral healthiness to go with their natural good looks".